#Export photo to movie xml pro#
The Data Source dropdown menu specifies the method for building the Final Cut Pro XML file, which in turn decides what data is embedded in the file and how it will be formatted. Use the File Name Format field to specify a format string for the name of your output files. It is not available for use in shipping builds, as it depends on too much editor-only functionality.
Using more threads will make encoding faster, but will result in a higher CPU usage.įinal Cut XML is only supported as an output format for Unreal Editor. This sets the maximum number of CPU threads that you want to allow the codec to use in the encoding process for the video file.
#Export photo to movie xml manual#
If you enable Override Maximum Encoding Threads, you can set the Max Number of Encoding Threads to a manual number. This is only applicable if your sequence has a framerate of 29.97. The Drop Frame Timecode setting will set the timecode track to use the drop-frame format. Output files are extremely large.įor more information about each of these codecs, see Apple's documentation on Apple ProRes. 12 bits of precision for RGB channels and 16 bits for alpha. Highest-quality storage with support for alpha channels. Provides an extremely high-quality image and supports alpha channels. High-quality compression format for 4:4:4:4 image sources. Offers the same level of quality as ProRes 4444, but for 4:2:2 video sources. Intended for multistream, real-time editing.Ī higher bit-rate version of Apple ProRes 422. High quality compression for full-width 4:2:2 video sources. Intended for environments with limited storage and data rate. Intended for use in offline workflows that require low data rates but full-resolution video.Ī more compressed version of Apple ProRes 422, estimated at roughly 30% smaller file size. Refer to Avid DNx Video Codecs for more information.Įstimated Bit Rate at 1080 x 1920 and 30 FPS Refer to Apple ProRes Video Codecs for more information. Refer to Final Cut Pro XML(#finalcutproxml). Outputs files alongside a Final Cut Pro XML. wav audio file alongside any other output formats you have selected. Transparency is supported with the correct project settings.
Disabling the Tone Curve writes linear values in the or more range depending on the intensity of lights and other bright objects. HDR values are preserved but if the Tone Curve is enabled, linear values are rescaled to approximately the range with only the brightest highlights going above one. Pixel values are clamped in the range, meaning that no HDR values are preserved.
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